Perhaps it is the reversibility of the image, where the reflected and reflection are indistinguishable. There’s something magical about the subject of pre-dawn mist, inviting my strong emotional response even as it calms and equilibrizes me. ![]() In the gallery of Monet’s iconic series of haystacks and numerous canvases inspired by his water lily pond at Giverny, I find this canvas the most breathtaking, precisely because it does not call attention to itself. ![]() Ryerson CollectionĬhair and curator of painting and sculpture of Europe, Art Institute of Chicago Yet, we need only look at this compelling example of Monet’s work to see that, for this artist, thoughtful intentionality was essential to effectively depict immediacy.Ĭlaude Monet, Branch of the Seine near Giverny (Mist), from the series “Mornings on the Seine,” 1897, oil on canvas. His second wife Alice Hoschedé characterized her husband as one “who leaves nothing to chance,” a trait that seems at odds with the artist’s famed ability to capture a fleeting moment. What I find remarkable in this work is Monet’s ability to integrate every element to create a scene of balanced, timeless harmony and convey all the spontaneity of a captured moment in time. It takes over almost the entire lower half of the painting, accentuating with its gentle curve the intersecting lines of the beach, sea, and ground, resulting in a picture that is simple in details and highly sophisticated in composition. We recognize the site of Pourville thanks to the distinctive white cliffs to the left, and yet a simple path dominates the scene. The Path in the Wheat Fields at Pourville is one of my favorite paintings by the artist in the Denver Art Museum collection. Hamilton CollectionĬhief curator and curator of European art before 1900, Denver Art Museum ![]() Claude Monet, Path in the Wheat Fields at Pourville (Chemin dans les blés à Pourville), 1882, oil on canvas.
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